That's me, I was eatin' color crayons when the fellas played this show. Europe '72 was however one of the first Grateful Dead records I owned. Definitely the first album that I enjoyed whilst under the influence of powerful psychedelics. Europe '72 was the recording that showed me that there was a whole other layer of sound, and meaning that I wouldn't even know was there but for the miracle that I heard it. What a wonderful gift. Thank you all who made it happen...
It's my ears that send these vibrations into my brain to be mapped out as sensible noise, it seems like we're all hearing it... different levels of immersion but we're all in it... now shut up and dance!

I stumbled upon this on its 48th! Anniversary and am blown away by The Other One - 29 minutes of just pure psychedelic bliss. Super jazzy at times and, yes, beautifully dissonant at others to melt your face. Phil is a beast! It would be priceless to see the faces of the Brits there - must have been speechless. We are SO LUCKY to have this free Archive - god bless the Grateful Dead!

I was born 15 years too late to attend this show.

I must correct one viewer. This was actually the second time Cold Rain and Snow appeared on the tour, having previously appeared in Copenhagen on 4/17.

The first set is an excellent first set. Short, straight, blues, folk, and rock and roll. The second set has a very spacey Other One that goes way out there. 5/26 is the best of the 4 London shows but 5/24 is right up there.

I love the emotional feeling of going from a good time song like Love Light straight into a song about facing a lonely death. And then capping it off with another good time song.

compared to much of the tour. The most consistent of the Lyceum run (it's just called "Lyceum Theater", not Strand), but with fewer major highlights. It's an insane 15-song 1st set, though most are short and it's under 90min. It's also mostly a Pig show; he's on for his songs plus his organ is prominent in the mix.

First Set. This is the tour's only Cold Rain & Snow, though it's average, as is the Beat it on Down the Line-6. Then the machine takes off with a wonderful Mr. Charlie. Pig and Jer are both exceptional. It's odd that Bobby tests the string-skip opening of Weather Report before the absolutely ace Me & My Uncle. Check how Jer transposes on a dime @:41 then goes completely out of control, fitting in overlapping measures like damned magic. Hurts Me Too is on E72 but it's not the tour's best. Dire Wolf is a bit out of tune - 2 nights later it's awesome. Phil plays the Spanish Gypsy Dance before Chinatown. Bobby does one of his alt-intros to China Cat and I love how Jer keeps going during the verses for Rider. Playin' is a good one yet still not tour-tops (such is the level of E72). You Win Again, however is a great example. Jack Straw is not the tightest but this is where the arrangement became set.

Second Set. Rockin' Pneumonia is the 2nd one [the day after the 1st] of 4, but Milwaukee is best. This is the only Black Peter of the tour. Phil does the Mexican Hat Dance before Truckin' and everybody joins in for a rendition. There are a half dozen amazing Truckin's on this tour, and though it may not match 4/21, this is the one where Pig is audible. They played a lot of Dark Stars on the tour but their best jam vehicle at the time was The Other One. This one is 11½ minutes to vox. It's uptempo and listen close to Bobby's astonishing work, such as answering Jer's unison bends. Sing Me Back Home is in Donna's wheelhouse. They went Donna-less on a great Sugar Mag. There are only three Lovelights on the tour and this is the one you want. Jer is fantastic on One More Saturday Night (the single they were plugging for radio play at the time), but he's ahead of the band.

1st Set: B
2nd Set: B
Overall = 4 Stars

Highlights:
Mr. Charlie - Pig and Jer both exceptional
Me & My Uncle - Jer uncontained and whole band fired
You Win Again - Possible best of tour
Black Peter - the only E72 and they saved up
Truckin ' - one of the tour's best and audible Pig
The Other One - Jer and Bobby lock in to each other in several places
Sugar Magnolia - Donna-less but still crazy-good

SOURCES: There were never great sources so the show as a whole has mainly been discovered since official release. However, before that, bits and pieces of the multi-track trickled out. Two tracks were on the original Europe 72 album (Hurts Me Too was overdubbed), five were on Steppin Out, then two tracks were on Rockin the Rhein. So, by then, almost a third was released before the whole tour was mixed down and released. The Playin' is also on E72 vol. 2.

Though not quite as great as the big boys from this Lyceum run, 5-23 and 5-26, this show holds its own quite well with the rest of the tour. In particular, and as mentioned by others, are the fiery performances of Playing in the Band (my vote for best of the tour) and The Other One, which contains some very spacey jams. Also of note are the great Cold Rain and Snow, Rockin' Pneumonia, and Black Peter, originally included on the "Steppin' Out" release.

Not included on this second set only SBD, the Playing in the Band is one of the best ever. Only clocking in at just over eleven minutes (the Europe 72' tour saw the first extensions on Playin', in particular this Strand Lycuem run really started the exploratory versions.)

Obviously you can't get this here any more. BUT pick up the Europe 72' Volume 2 disc for cheeper than the 400.00 Complete Europe 72'. It contains this monster Playin', one that would redefine the way they would play it from there on out.

Hey Cliff Hucker, you use the word 'dissonant' as if it were a bad thing. Some folks might beg to differ. Anyway, the main attraction here is another long '72 Other One, with all sorts of variety, and, yes, atonality to spice things up, and as noted below, beautiful Garcia solo in Sing Me Back Home.

Another rather difficult performance to score. If the complete show was available in the sound quality of the Andy Lemieux remaster it would undoubtedly garner a score a couple of points higher. Although a number of songs from this performance have been included in official releases, the incomplete show is only available in poor audience recordings and unfortunately several songs are cut, and a significant portion of the second set is entirely missing. Luckily a partial recording including the compelling second set jam is available as a very good quality soundboard.

Following the neat Mexican Hat Dance tuning jam, Truckin' seems a bit rushed. But the thirty-minute performance of The Other One, though somewhat dissonant at times, is nicely jazzy and contains some brilliant passages. It's a rather edgy version, largely driven by Phil's bass lines. A gorgeous jazzy theme developes about three and a half minutes in, but unfortunately it breaks down prematurely. At 6:30, both guitars lock in on a great duet, Garcia and Weir sounding not unlike Duanne and Betts during this extended passage prior to the first verse. An atonal space segment follows, but Phil pushes this into a nice jazzy groove starting at 17:30. A Caution-like theme developes before a another spacey jam with sustained keyboard effects. Once again it's Phil bass driving the band back into The Other One theme prior to the second verse conclusion.

Pig's following performance of Lovelight> Two Souls is excellent. Unfortunately, most of the balance of the set is missing. Against the extraordinarily high level of the performances preceeeding this one, it pales somewhat in comparison. But in truth this is a dynamite show! The second set jam as well as the material included on the official releases is certainly quite compelling. (95 pts)

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From over the pond on the island....Stereo Hi-Fi sound, excellent mix.

A charmingly wonderful archive from the show. A "must have" for us collectors of 1972 GRATEFUL DEAD.

Signature performances from 1972.

A rock'n performance of "TRUCKIN." "SING ME BACK HOME" with Donna on back-up vocals is divine and Garcia's solo is beautiful.

There are only 7 songs here, Mexican Hat Dance is not a song, and Sugar Magnolia is :42 long...Oops!

Get it while you can, get it while it's free, get it now or you'll be sorry.

Eat, Drink, be Merry and Listen to the GRATEFUL DEAD.

Thanks for the love.